Tag Archives: new writing

David Mamet’s tips for playwrights, care of @parisreview #inspiration #learnfromthegreats

There are some great interviews in The Paris Review’s archives, free to read, if you want to hear how some of the great writers create their work. Here are some tips from American playwright David Mamet: ‘Well, you know, Hemingway said … Continue reading

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Taking the audience to new worlds, Alistair McDowall’s Pomona, September’s playwright #12newplaywrightsin12months

I’m a tough customer when it comes to watching a play because I want it to really challenge my views on something and make me think, not just entertain me. So I only tend to go to see shows I’m … Continue reading

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‘We’re not supposed to keep secrets in here’, update #DebraProject with @ToTheMoonUK

‘We’re not supposed to keep secrets in here, so I’ll tell you … This might sound a bit strange but you’re in here too so I expect you’re used to strange … There’s a monster, living underneath my bed.’ –quote … Continue reading

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‘I want people shaken up,’ David Harrower on his play Blackbird, August’s playwright #12newplaywrightsin12months

Harrower’s two hander Blackbird was an unexpected winner of an Olivier Award. It’s a concisely written piece that plays out over real time and explores what happens when a couple reunite after about 15 years. This is no ordinary couple … Continue reading

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A masterclass in active dialogue: Duncan Macmillan’s Lungs, July’s playwright #12newplaywrightsin12months

‘Theatre is often tedious, irrelevant, ridiculous and smug. At its best, though, it cuts through the noise of everything else that’s competing for our attention and gives our empathy and imagination a workout.’  From an interview with Duncan Macmillan here. … Continue reading

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‘In the olden days they used to think of writing as more like witchcraft and there’s something in that.’ -Marina Carr, May’s Playwright #12newplaywrightsin12months

This quote is from an interview with one of Ireland’s most prominent playwrights Marina Carr whose 2 brilliant plays  Portia Coughlan and By The Bog of Cats I read this month. There’s definitely something magical about these pieces and if I didn’t need to move … Continue reading

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March’s playwright: Kwame Kwei-Armah #12newplaywrightsin12months

‘The best work is that which comes from the specific, but becomes universal.’ -Kwame Kwei-Armah interviewed by Whats On Stage.com As I mentioned in my previous post in this series #12newplaywrightsin12months I found my copy of Kwame Kwei-Armah’s Elmina’s Kitchen whilst … Continue reading

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4 STARS for #GODLESSMONSTERS on it’s first night in front of an audience!

I’ve never had a proper review before and I didn’t realise that reviewers had been invited as we were only showing the play at the New Diorama Theatre for 2 nights. But one reviewer came along from The Public Reviews … Continue reading

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This play is a time bomb #godlessmonsters #rehearsaldiaryday1

‘My play is no different to any other play: it’s a time bomb that starts to tick from the moment the first action is initiated, from the moment that desires are heightened, characters cross and explode as they flounder to make sense of their … Continue reading

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February’s playwright: Jennifer Haley #12newplaywrightsin12months

Jennifer Haley isn’t a playwright I’d heard of before, but with the rave reviews of her play The Nether that’s transferred from the Royal Court to the West End I couldn’t pass up the opportunity to see what I could … Continue reading

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