Category Archives: performance

The journey of a play

Each play I write takes me somewhere new. It takes me somewhere I hadn’t imagined I was going initially, and I usually end up with something that looks at the world in a way I hadn’t realised. I remembered this … Continue reading

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Out & About: Have you seen Ivy Davies?

As soon as she mentioned the glow-in-the-dark star stickers she had me. I was transported back to being about 12 and sticking my own glow-in-the-dark stars on the ceiling of my bedroom because I was afraid of the dark. Ivy … Continue reading

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Escaping the ice-lock

Or how I’ve been panicking about not writing anything new… I had so many goals this year: I was going to put the final touches to Godless Monsters, I was going to finish the new play I’d started last year and … Continue reading

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So what story are you writing? #allwritingisrewriting #writingtips

All writing is rewriting. It’s what they say but it’s also a truth about the writing process and I believe you can’t be a successful writer unless you enjoy the simple process of getting down words on the page and then … Continue reading

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Are all stories really the same? And does a female character have to be likeable? #NewYearNewPlay #WritingTips

Are you kick starting your year with a new creative project? I’m starting 2016 with rewriting. I’m taking a shorter project and making it longer, with the help of a director to make sure I’m making sense (and with the … Continue reading

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Use active dialogue, it’s ok to keep the audience in the dark and follow your own style, #topwritingtips #12newplaywrightsin12months

So what makes a good play? This is the question I’ve been asking myself this year as I challenged myself to read or see 1 play by a playwright I haven’t looked at before each month to broaden my range of … Continue reading

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‘A play is a backward explosion’, That Face by Polly Stenham, December’s playwright #12newplaywrightsin12months

Part of the Royal Court Young Writers Group, Stenham was 18 when she wrote That Face, the play she submitted at the end of the course that went on to be produced at the Royal Court and the West End. … Continue reading

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‘My first play, Foxfinder, was read, liked, but not produced by basically the theatres that accept scripts’ Dawn King, November’s playwright #12newplaywrightsin12months

‘My first play, Foxfinder, was read, liked, but not produced by basically the theatres that accept scripts – and not just in London. I’d had lots of meetings with people who said they liked it, but that it was a … Continue reading

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Stef Smith looks at the ‘chaotic ways in which we continue’ in Swallow, October’s playwright #12newplaywrightsin12months

A friend of mine saw Stef Smith’s new play Swallow at the Edinburgh Fringe Festival this year and said I just had to read it! Smith wasn’t a writer I’d heard of and when I discovered she’d won an Olivier … Continue reading

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David Mamet’s tips for playwrights, care of @parisreview #inspiration #learnfromthegreats

There are some great interviews in The Paris Review’s archives, free to read, if you want to hear how some of the great writers create their work. Here are some tips from American playwright David Mamet: ‘Well, you know, Hemingway said … Continue reading

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