Category Archives: Theatre

‘My first play, Foxfinder, was read, liked, but not produced by basically the theatres that accept scripts’ Dawn King, November’s playwright #12newplaywrightsin12months

‘My first play, Foxfinder, was read, liked, but not produced by basically the theatres that accept scripts – and not just in London. I’d had lots of meetings with people who said they liked it, but that it was a … Continue reading

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Stef Smith looks at the ‘chaotic ways in which we continue’ in Swallow, October’s playwright #12newplaywrightsin12months

A friend of mine saw Stef Smith’s new play Swallow at the Edinburgh Fringe Festival this year and said I just had to read it! Smith wasn’t a writer I’d heard of and when I discovered she’d won an Olivier … Continue reading

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David Mamet’s tips for playwrights, care of @parisreview #inspiration #learnfromthegreats

There are some great interviews in The Paris Review’s archives, free to read, if you want to hear how some of the great writers create their work. Here are some tips from American playwright David Mamet: ‘Well, you know, Hemingway said … Continue reading

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Taking the audience to new worlds, Alistair McDowall’s Pomona, September’s playwright #12newplaywrightsin12months

I’m a tough customer when it comes to watching a play because I want it to really challenge my views on something and make me think, not just entertain me. So I only tend to go to see shows I’m … Continue reading

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Why make theatre at all? David Lan shares his inspiration @intlifemag

When I’m starting a new project as I am at the moment, I always ask myself WHY is this theatre? HOW can I give the audience a better experience of the story that will unfold in front of them so … Continue reading

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‘We’re not supposed to keep secrets in here’, update #DebraProject with @ToTheMoonUK

‘We’re not supposed to keep secrets in here, so I’ll tell you … This might sound a bit strange but you’re in here too so I expect you’re used to strange … There’s a monster, living underneath my bed.’ –quote … Continue reading

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‘I want people shaken up,’ David Harrower on his play Blackbird, August’s playwright #12newplaywrightsin12months

Harrower’s two hander Blackbird was an unexpected winner of an Olivier Award. It’s a concisely written piece that plays out over real time and explores what happens when a couple reunite after about 15 years. This is no ordinary couple … Continue reading

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A masterclass in active dialogue: Duncan Macmillan’s Lungs, July’s playwright #12newplaywrightsin12months

‘Theatre is often tedious, irrelevant, ridiculous and smug. At its best, though, it cuts through the noise of everything else that’s competing for our attention and gives our empathy and imagination a workout.’  From an interview with Duncan Macmillan here. … Continue reading

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‘That’s as cinematic as you could get on stage.’ -Martin McDonagh, June’s Playwright #12newplaywrightsin12months

Now known more for his films In Bruges and Seven Psychopaths Martin McDonagh started as a playwright. Performed in 2003 although written in the mid 90s The Pillowman won an Olivier for Best New Play amongst other awards and is by his … Continue reading

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Who is Daisy Scarlet? Update #triptychchallenge

  It took us all a little longer than we’d hoped but we have all written a scene or collection of scenes in response to our stimulus and eerily there are some connections between the work other than our restrictions (see … Continue reading

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