Tag Archives: creativity

‘A play is a backward explosion’, That Face by Polly Stenham, December’s playwright #12newplaywrightsin12months

Part of the Royal Court Young Writers Group, Stenham was 18 when she wrote That Face, the play she submitted at the end of the course that went on to be produced at the Royal Court and the West End. … Continue reading

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‘My first play, Foxfinder, was read, liked, but not produced by basically the theatres that accept scripts’ Dawn King, November’s playwright #12newplaywrightsin12months

‘My first play, Foxfinder, was read, liked, but not produced by basically the theatres that accept scripts – and not just in London. I’d had lots of meetings with people who said they liked it, but that it was a … Continue reading

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David Mamet’s tips for playwrights, care of @parisreview #inspiration #learnfromthegreats

There are some great interviews in The Paris Review’s archives, free to read, if you want to hear how some of the great writers create their work. Here are some tips from American playwright David Mamet: ‘Well, you know, Hemingway said … Continue reading

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‘We’re not supposed to keep secrets in here’, update #DebraProject with @ToTheMoonUK

‘We’re not supposed to keep secrets in here, so I’ll tell you … This might sound a bit strange but you’re in here too so I expect you’re used to strange … There’s a monster, living underneath my bed.’ –quote … Continue reading

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‘I want people shaken up,’ David Harrower on his play Blackbird, August’s playwright #12newplaywrightsin12months

Harrower’s two hander Blackbird was an unexpected winner of an Olivier Award. It’s a concisely written piece that plays out over real time and explores what happens when a couple reunite after about 15 years. This is no ordinary couple … Continue reading

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A masterclass in active dialogue: Duncan Macmillan’s Lungs, July’s playwright #12newplaywrightsin12months

‘Theatre is often tedious, irrelevant, ridiculous and smug. At its best, though, it cuts through the noise of everything else that’s competing for our attention and gives our empathy and imagination a workout.’  From an interview with Duncan Macmillan here. … Continue reading

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Who is Daisy Scarlet? Update #triptychchallenge

  It took us all a little longer than we’d hoped but we have all written a scene or collection of scenes in response to our stimulus and eerily there are some connections between the work other than our restrictions (see … Continue reading

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‘In the olden days they used to think of writing as more like witchcraft and there’s something in that.’ -Marina Carr, May’s Playwright #12newplaywrightsin12months

This quote is from an interview with one of Ireland’s most prominent playwrights Marina Carr whose 2 brilliant plays  Portia Coughlan and By The Bog of Cats I read this month. There’s definitely something magical about these pieces and if I didn’t need to move … Continue reading

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Winter Draws On with @awooga_man Andy Winter

    Have you seen these drawings? Of course you have! These are some of the beautiful illustrations on my website and are all created by artist Andy Winter. I just wanted to let you know that he now has a … Continue reading

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March’s playwright: Kwame Kwei-Armah #12newplaywrightsin12months

‘The best work is that which comes from the specific, but becomes universal.’ -Kwame Kwei-Armah interviewed by Whats On Stage.com As I mentioned in my previous post in this series #12newplaywrightsin12months I found my copy of Kwame Kwei-Armah’s Elmina’s Kitchen whilst … Continue reading

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